Reading and writing files directly to or from an external drive can incur some hefty performance demands, so it's best to determine your needs before you buy a drive. And they all work interchangeably with Windows ® and Mac ® out of the box (reformatting may be required for use with Time Machine).If you work with libraries of large image files, or in audio or video production, you need to be selective about your external hard drive. Ultra Touch works with USB-C and USB 3.0 computers while Portable and Slim work with USB 3.0. &0183 &32 Selecting a Backup Plus hard drive that matches your preferred interface is easy.LaCie Mobile Drive 4TB External Hard Drive USB.The first thing to determine must be how much overall storage space you need and, then, what data-transfer speed your projects will require. LaCie Mobile Drive 4TB External Hard Drive USB-C USB 3.0 - Next Gallery Image. LaCie Mobile Drive 4TB External Hard Drive USB-C USB 3.0 - Previous Gallery Image. &0183 &32 LaCie 2TB Mobile Drive External Hard Drive USB. 5 Inch External Hard Drive for Mac, Movies, music, Xbox One and.2021.
In the Finder, go to the external drive where you want to store your library. Google has many special features to help you find exactly what youre looking for.Move your Photos library to an external storage device. Drives for Video ProductionSearch the worlds information, including webpages, images, videos and more. To break it down, we'll discuss the writing of data to an external hard drive while editing video, for use in photo editing and running audio projects. Most are roughly 5 inches tall and 2 inches wide.Next, you need to consider your interface. &0183 &32 A desktop drive with a single platter mechanism inside will typically use a 3.5-inch drive inside and comes in capacities up to 12TB, though a few 16TB single drives in external chassis have started to emerge. These days, the bare minimum spin rate is 7200 rpm, though even faster drives, such as solid-state, are available for a premium.2021. To prevent getting bogged down by a sluggish external hard drive, you need fast drives. Drag Photos Library to its new location on the external drive.No one creates a greater need for media storage than a videographer, especially those working in 4K. By default it's stored in the Pictures folder located at /Users/ username/Pictures. However, check the rated speed of the external drive (it likely can't move data that fast). USB 3.0 is capable of 625 MB/s. When searching for a drive, you will want to make sure you comfortably exceed these data rates to ensure uninterrupted performance.With any external hard drive interface, keep in mind that you will only achieve its maximum data transfer rate if your computer—and the external hard drive—support it. Compressed files straight from the camera or proxy workflows can alleviate a lot of this strain and are arguably becoming more important in editing, but you should still be able to play back your files smoothly. Working with DCI 4Kp24 ProRes HQ files requires at least 94 MB/s. But if you need a RAID array or plan to use external solid-state drives (SSDs), you might want the Autobahn of interfaces. But you'll pay more for these interfaces, which may not be worth it for all that speed: Most drives are not that fast. Version 1 can transfer at bi-directional speeds up to 10 Gb/s (1,250 MB/s), Thunderbolt™ 2 can transfer at bi-directional speeds up to 20 Gb/s (2,500 MB/s), and Thunderbolt™ 3 operates at bi-directional speeds up to 40 Gb/s (5,000 MB/s). That can only be a good thing.G-Technology 6TB G-DRIVE USB G1 USB 3.0 Hard DriveFaster still is Thunderbolt™. Note that, in both cases, these speeds exceed the requirement of ProRes HQ. The G-Technology 6TB G-Drive G1 USB 3.0 Hard Drive is rated at up to 226 MB/s. Now, let's choose a RAID configuration.A popular option for video editors is RAID 5, which can suffer the loss of one drive without losing any data. To set up a well-performing RAID, all of the drives should be the same speed and capacity. And, using multiple drives can speed up data transfers, depending on the configuration. Samick serial numbersAch!One of the big kahunas in this category is the G-Technology G-SPEED Shuttle 4-Bay Thunderbolt™ 3 RAID Array, which offers incredible speeds of up to 1020 MB/s and the latest Thunderbolt™ 3 connections. Hot dog! But—here's the rub—you don't have data redundancy, so if one drive goes kaput, you lose all of the data in the RAID. Here's the math: Two 2TB drives that write at 200 MB/s add up to 4TB of storage writing at 400 MB/s. All drives in this array are striped together, so they read and write simultaneously, which essentially doubles your speed whenever you double the number of drives. Peace of mind.If you're after speed, it's hard to argue against RAID 0. The second drive is a copy of the first, so it's got you covered, should the other drive fail. ![]() And, editing a photo on an external hard drive does not require the same bandwidth as editing video. Picture PerfectIn general, photographers don't need as much hard-drive space for their still images as videographers need for their footage. The old USB interface has a maximum speed of just 60 MB/s.Similarly, FireWire 800's capability of transferring up to 100 MB/s won't earn a recommendation for manipulating high-definition video—newer hard drives are capable of faster speeds. It offers read speeds up to 240 MB/s and has a single USB 3.1 Gen 1 port.You may even want to consider going network-attached storage (NAS) instead of the conventional direct-attached route. One drive in this category is the LaCie d2 Professional USB 3.1 Type-C External Hard Drive, which comes in capacities of 4, 6, 8, and 10TB. You don't want your creative time to turn into a wait-and-see game of file-find and transfer.If you don't need portability—say, in a photography studio—a desktop model will usually get you more terabytes for your money. It is possible to max out your audio interface without trouble at 24-bits. If you draw upon a lot of samples or virtual instruments, consider having all of these on yet another drive altogether.Depending on your studio, recording multi-track sessions to a FireWire 800 drive may not be a problem. That is, your OS and all your applications, including the DAW software, sit on one drive, and there is a dedicated drive for audio files. This could occur if your projects use a lot of plug-ins that are manipulating the audio tracks on the fly, or if you are triggering multiple virtual instruments with MIDI.For best performance, it’s widely recommended that your digital audio workstation (DAW) software run on a separate drive from the one to which you write your audio files. But if you're doing multi-track recording, you may run into data-transfer limitations. Music to Your EarsHere's one benchmark for computing the overall capacity the music-makers need in an external hard drive: 24 mono tracks recorded at 24-bit/44.1 kHz will eat up about 190MB of hard disk space per minute.If all you intend to do is write stereo audio onto an external hard drive, you're unlikely to hit a bump in the road. This uses two drives in RAID 0 to maximize speed at up to 440 MB/s. For more speed and capacity, you can start looking at RAID arrays, such as the LaCie 2big Dock RAID Array with Thunderbolt™ 3. It also has a standard USB 3.1 Gen 1 connection for wide support and a slick aluminum enclosure. This has a high capacity and data rates up to 226 MB/s—enough for basic work. It's possible you could get away with it for very basic audio projects, but why risk it? Going with modern storage options and connectivity will only help guarantee smooth performance, and this gives you room to expand your setup later on without having to reinvest in all new media.A good drive to get going would be the G-Technology G-DRIVE USB G1 Hard Drive. Larger sessions, or those using a higher bit rate, would hit the ceiling and it would be recommended to upgrade to the latest interfaces for best performance.You should be fine with good 7200 rpm drives, and it's unlikely anyone would recommend something slower. Highest External Hard Drive 2017 To Store S How To Instruct TheI have 2 non-Apple VI libraries: Spectrasonics Keyscape and Native Instruments Komplete Ultimate. I use apple's Final Cut Pro X and Logic Pro X. What remain a mystery to me is how to instruct the app systems during installation so that files are always located where they need to be. I am confused about optimal library and app locations some of which were explained well in the article.
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